{"id":9981,"date":"2019-04-08T15:06:09","date_gmt":"2019-04-08T11:06:09","guid":{"rendered":"https:\/\/tschaikowsky-saal.de\/?p=9981"},"modified":"2019-05-27T15:26:15","modified_gmt":"2019-05-27T11:26:15","slug":"samstag-25-mai-2019-20-00","status":"publish","type":"post","link":"https:\/\/tschaikowsky-saal.de\/de\/samstag-25-mai-2019-20-00\/","title":{"rendered":"Samstag, 25. Mai\u00a02019, 20:00\u00a0"},"content":{"rendered":"<p>In einer Zeit der schnellen Bilder und einer uns fast \u00fcberall umgebenden Hintergrundmusik begibt sich Christina L\u00fcdicke in ihrem Programm \u201e&#8230;verweht\u201c auf die Suche nach den meist leisen, zarten und manchmal ins Unendliche verwehenden T\u00f6nen. Durch das Musizieren auf dem E-Cello sowie durch die verschiedenen Spieltechniken und Klangfarben entstehen spannende, mitunter ganz neue Klangr\u00e4ume. Die Videoprojektionen von Harald Kruse haben das Ziel, auf optischem Weg die Raumatmosph\u00e4re des Auff\u00fchrungsortes so mitzugestalten, dass die Wirkung der Musik unterst\u00fctzt wird, ohne sie illustrieren zu wollen.<\/p>\n<p><span style=\"mso-bidi-font-family: 'Times New Roman'; color: black; background: white;\">Das Konzert\u00a0wird einen besonderen Akzent bekommen\u00a0 &#8211; Harald Weiss, der Komponist des St\u00fccks &#8222;&#8230;verweht&#8220;\u00a0\u00a0erh\u00e4lt den Preis der Musica Viva Stiftung, Mainz f\u00fcr sein Lebenswerk. Er wird\u00a0 vom Vorstandsvorsitzenden der Stiftung Dr. Peter Hanser-Strecker\u00a0\u00fcberreicht werden.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9982 alignleft\" src=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Christina-L-dicke-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Christina-L-dicke-300x200.jpeg 300w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Christina-L-dicke-768x513.jpeg 768w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Christina-L-dicke-1024x683.jpeg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>Christina L\u00fcdicke (Violoncello) <\/strong>schloss 1982 ihr Studium an der Hochschule f\u00fcr Musik \u201eFranz Liszt\u201c mit Diplom ab. Seit 1981 ist sie am Konservatorium Schwerin als Lehrende und seit 1992 dort auch als stellvertretende Direktorin und Leiterin der Studienvorbereitenden Abteilung t\u00e4tig. Beim Wettbewerb \u201eJugend musiziert\u201c sowie beim Internationalen Wettbewerb \u201eVerfemte Musik\u201c wird sie seit vielen Jahren als Jurorin berufen. Als Mitglied verschiedener Kammermusikensembles f\u00fchrte sie zahlreiche Konzerte in Schwerin sowie in Frankreich, Tschechien, Israel und in den USA auf. Dar\u00fcber hinaus besch\u00e4ftigt sich Christina L\u00fcdicke seit Jahren intensiv mit der Musik Astor Piazzollas und seit einigen Jahren erweitert sie ihre musikalischen M\u00f6glichkeiten mit dem E-Cello. Gemeinsam mit der S\u00e4ngerin Ruth Kiefer sowie den Lautenisten Ralph Lange und Ulf Dressler entwickelte sie ein Renaissance-Programm mit Musik von John Dowland und seinen italienischen und spanischen Zeitgenossen.<\/p>\n<p>Mit dem \u201eTierkreis\u201c von Karlheinz Stockhausen pr\u00e4sentieren Christina L\u00fcdicke und Harald Kruse ihr neues Soloprogramm erstmals am 13. Dezember 2019 im Rahmen der Konzertreihe KON-Takte des Konservatoriums Schwerin.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9983 alignleft\" src=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Harald-Kruse-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Harald-Kruse-200x300.jpeg 200w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Harald-Kruse-768x1152.jpeg 768w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2019\/04\/Harald-Kruse-683x1024.jpeg 683w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><strong>Harald Kruse (Videoprojektion) <\/strong>schloss 1981 sein Psychologiestudium an der Universit\u00e4t Hamburg mit Diplom ab, nachdem er zuvor Fotografie an der Folkwangschule bei Prof. Dr. Otto Steinert in Essen studiert hatte. Nach mehrj\u00e4hriger T\u00e4tigkeit als leitender Abt. &#8211; Psychologe an der Psychosomatischen Fachklinik Bad Pyrmont arbeitet er heute in Hamburg in eigener Praxis als Psychotherapeut. Neben eigenen Projekten arbeitet er seit vielen Jahren mit der Cellistin Christina L\u00fcdicke in gemeinsamen Projekten, die als audio-visuelle Arbeiten konzipiert sind zusammen. Diese Arbeiten werden exklusiv f\u00fcr das jeweilige Konzertprogramm gestaltet.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programm<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Johann Sebastian Bach \/ 1685-1750<\/strong>\u00a0\u00a0 Sarabande aus der Suite Nr. 5 c-Moll BWV 1011<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>Harald Weiss \/ 1949<\/strong>\u00a0\u00a0 \u2026 verweht (2014)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>Philip Glass \/ 1937<\/strong>\u00a0\u00a0\u00a0 Nr. III aus Songs and Poems for solo cello (2007)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>John Tavener \/ 1944-2013<\/strong> \u00a0 Threnos (1990) Eternal Memory &#8211; Dr. Costas Marangopoulus<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hans Werner Henze \/ 1926-2012<\/strong>\u00a0\u00a0\u00a0 Epitaph f\u00fcr Paul Dessau f\u00fcr Violoncello solo (1979)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jacques Ibert \/ 1890-1962<\/strong> \u00a0 Ghirlarzana (1950)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Pause <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Gesa Biffio Riedel \/ 1951\u00a0\u00a0\u00a0\u00a0 <\/strong>Bashana haba&#8217;a (2005)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>Jaime Mirtenbaum Zenamon \/ 1953<\/strong>\u00a0\u00a0 Suite Iguat\u00f9 (1989) F\u00fcr Matias de Oliveira Pinto<\/p>\n<p>1. Satz Preludio\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>\u00a0<\/strong><\/p>\n<p>3. Satz Lamento<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Aulis Sallinen \/ 1935<\/strong> \u00a0\u00a0 Elegia Sebastian Knight&#8217;ille f\u00fcr Cello solo, op. 10<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>Sofia Gubaidulina \/ 1931\u00a0 <\/strong>Con sordino &#8211; senza sordino (1974)<strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>Johann Sebastian Bach (1685-1750)\u00a0\u00a0 <\/strong>Sarabande aus der Suite Nr. 5 c-Moll BWV 1011<\/p>\n<p>&nbsp;<\/p>\n<p><b id=\"mail-clipboard-id-69305572428861328793660735405071\"><strong>Karten 15\u00a0 Euro<\/strong>\/<strong>erm. 10 Euro<\/strong><\/b><\/p>\n<p>Konzertkasse Gerdes \/ 040 \u2013 44 02 98 \/ Alle Vorverkaufsstellen<\/p>\n<p>per E-Mail <a href=\"https:\/\/e.mail.ru\/compose\/?mailto=mailto%3ainfo@tsaal.de\" target=\"_blank\" rel=\"noopener noreferrer\">info@tsaal.de<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>\u201e&#8230;verweht\u201c Christina L\u00fcdicke (E-Cello), Harald Kruse (Videoprojektion)<span class=\"entry-read-more\"><a href=\"https:\/\/tschaikowsky-saal.de\/de\/samstag-25-mai-2019-20-00\/\" class=\"cs-btn cs-btn-flat cs-btn-rounded cs-btn-xxs 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