{"id":9041,"date":"2017-07-20T12:44:43","date_gmt":"2017-07-20T08:44:43","guid":{"rendered":"https:\/\/tschaikowsky-saal.de\/?p=9041"},"modified":"2017-11-22T14:06:01","modified_gmt":"2017-11-22T10:06:01","slug":"russkiy-voskresene-19-noyabrya-2017-12-30","status":"publish","type":"post","link":"https:\/\/tschaikowsky-saal.de\/de\/russkiy-voskresene-19-noyabrya-2017-12-30\/","title":{"rendered":"Sonntag, 19. November 2017, 12:30"},"content":{"rendered":"

\"\"<\/p>\n

Tatjana Perminova-Schieweck hat ihre Ausbildung am Omsker Konservatorium in den F\u00e4chern Gesang, Akkordeon und Klavier erhalten. Sp\u00e4ter setzte sie ihr Studium in dem Staatlichen Institut f\u00fcr Kultur in St.Petersburg fort. In den nachsten 20 Jahren war sie dann als S\u00e4ngerin und Gesanglehrerin in Moskau, Tscheljabinsk, Tallin, Narva und anderen St\u00e4dten t\u00e4tig.<\/p>\n

Nach dem Umzug nach Hamburg arbeitet sie als S\u00e4ngerin und Instrumentalistin sowohl alleine als auch im Duett mit Ihrem Mann Peter Schieweck, Pianistin Natalja Freitag und anderen Musikern.<\/p>\n

Auf dem Programm stehen ber\u00fchmte russische Lieder und Romanzen von Dunajevsky, Bulachov, Swiridov und anderen Komponisten.<\/strong><\/p>\n

 <\/p>\n

Eintritt frei, um Spende wird gebeten!<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

„Die Chrysanthemen sind verbl\u00fcht“. Tatjana Perminova-Schieweck (Sopran),<\/p>\n

Natalia Freitag (Klavier)Weiterlesen<\/a><\/span><\/p>\n","protected":false},"author":3,"featured_media":7805,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38],"tags":[],"class_list":["post-9041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2016\/08\/DVCI0029.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5HoJ6-2lP","_links":{"self":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/9041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/comments?post=9041"}],"version-history":[{"count":9,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/9041\/revisions"}],"predecessor-version":[{"id":9051,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/9041\/revisions\/9051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media\/7805"}],"wp:attachment":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media?parent=9041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/categories?post=9041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/tags?post=9041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}