{"id":7321,"date":"2016-02-26T12:31:30","date_gmt":"2016-02-26T08:31:30","guid":{"rendered":"http:\/\/tschaikowsky-saal.de\/?p=7321"},"modified":"2016-03-05T10:37:27","modified_gmt":"2016-03-05T06:37:27","slug":"russkiy-pyatnitsa-26-fevralya-2016-19-00","status":"publish","type":"post","link":"https:\/\/tschaikowsky-saal.de\/de\/russkiy-pyatnitsa-26-fevralya-2016-19-00\/","title":{"rendered":"Freitag, 26. Februar 2016, 19:00 Uhr"},"content":{"rendered":"<p><a href=\"http:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2016\/01\/289102_10151001246542687_51645807_o-1.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7322 alignleft\" src=\"http:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2016\/01\/289102_10151001246542687_51645807_o-1-200x300.jpg\" alt=\"289102_10151001246542687_51645807_o (1)\" width=\"200\" height=\"300\" srcset=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2016\/01\/289102_10151001246542687_51645807_o-1-200x300.jpg 200w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2016\/01\/289102_10151001246542687_51645807_o-1.jpg 640w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>Der\u00a0 Pianist\u00a0 glich\u00a0 in\u00a0 seinem\u00a0 Spiel\u00a0 den\u00a0 Gro\u00dfen\u00a0 der\u00a0 Piano Improvisation,\u00a0lie\u00df\u00a0manchmal\u00a0sogar\u00a0an\u00a0Keith\u00a0Jarrett\u00a0denken.\u00a0Er\u00a0beherrschte\u00a0sein\u00a0 Metier\u00a0spielend\u00a0und\u00a0perfekt..\u00a0er\u00a0entlockte\u00a0dem\u00a0Publikum\u00a0schon\u00a0in\u00a0den\u00a0ersten\u00a0Minuten\u00a0 des\u00a0Abends\u00a0jede\u00a0Menge\u00a0Beifall.\u201c (Freie\u00a0Presse)<br \/>\nWie\u00a0ein\u00a0inspirierter\u00a0Maler\u00a0erschafft\u00a0der\u00a0russische\u00a0Konzertpianist\u00a0und\u00a0Komponist\u00a0Sasha\u00a0 Pushkin\u00a0 mit\u00a0 seinen\u00a0 musikalischen\u00a0 Grenz\u00fcberschreitungen\u00a0 immer\u00a0 wieder\u00a0 neue\u00a0 improvisierte\u00a0 Klangbilder,\u00a0 die\u00a0 Ausdruck\u00a0 seiner\u00a0 offenen,\u00a0 kosmopolitischen\u00a0 Existenz\u00a0 sind.\u00a0Seine\u00a0eigene\u00a0musikalische\u00a0Doktrin\u00a0bezeichnet\u00a0Pushkin\u00a0als\u00a0\u201eExprovisation\u201c.\u00a0Der\u00a0 Begriff\u00a0steht\u00a0f\u00fcr\u00a0die\u00a0unmittelbare\u00a0Vereinigung\u00a0von\u00a0Experiment\u00a0und\u00a0Improvisation\u00a0und\u00a0 bezieht\u00a0sich\u00a0auch\u00a0auf\u00a0den\u00a0Begriff\u00a0des\u00a0musikalisch\u00a0\u201efreien\u201c\u00a0Impromptu\u2013Klaviersolos.<br \/>\n\u00c4hnlich\u00a0der\u00a0Cut\u00adUp\u00a0Technik\u00a0von\u00a0William\u00a0S.\u00a0Borroughs\u00a0zerrei\u00dft,\u00a0zerschneidet\u00a0und\u00a0 restrukturiert\u00a0 Sasha\u00a0 Pushkin\u00a0 virtuos\u00a0 verschiedenste\u00a0 Elemente\u00a0 aus\u00a0 Klassik,\u00a0 Jazz,\u00a0 Avantgarde,\u00a0Minimal,\u00a0Rock\u00a0und\u00a0Ethnokl\u00e4ngen\u00a0zu\u00a0einem\u00a0Fluss\u00a0von\u00a0interagierenden\u00a0 Klang Kaleidoskopen.<br \/>\nDer\u00a0 Zuschauer\u00a0 wird\u00a0 beim\u00a0 Konzert\u00a0 unmittelbar\u00a0 Zeuge\u00a0 eines\u00a0 verdichteten\u00a0 Kompositionsprozesses,\u00a0n\u00e4mlich\u00a0einer\u00a0einmaligen\u00a0\u201eExprovisation\u201c.\u00a0Gleichsam\u00a0eines\u00a0 atemberaubend\u00a0dynamischen\u00a0\u00a0Drahtseilaktes\u00a0erlebt\u00a0der\u00a0Zuschauer\u00a0mit\u00a0der\u00a0actio\u00a0und\u00a0 reactio\u00a0von\u00a0aufwogenden\u00a0Klangwellen\u00a0bis\u00a0zu\u00a0nuanciertesten\u00a0Pianissimo Sequenzen\u00a0 die\u00a0immense\u00a0Bandbreite\u00a0des\u00a0virtuosen\u00a0Klangakrobaten,\u00a0dessen\u00a0unverwechselbares\u00a0 Spiel\u00a0\u2013\u00a0wenn\u00a0man\u00a0denn\u00a0einen\u00a0Vergleich\u00a0ziehen\u00a0m\u00f6chte\u00a0\u00ad\u00a0z.B.\u00a0an\u00a0Bartok,\u00a0Gershwin,\u00a0 Keith\u00a0Jarrett,\u00a0Tschaikowski\u00a0oder\u00a0Rachmaninow\u00a0erinnert.\u00a0 Dazu\u00a0 geh\u00f6ren\u00a0 rhythmische\u00a0 und\u00a0 melodische\u00a0 und\u00a0 bisweilen\u00a0 eruptive\u00a0 bis\u00a0 atonale\u00a0 Improvisationen,\u00a0die\u00a0neben\u00a0dem\u00a0Piano\u00a0in\u00a0Anlehnung\u00a0an\u00a0das\u00a0\u201ePrepared\u00a0piano\u201c\u00a0von\u00a0 John\u00a0Cage\u00a0auch\u00a0weitere\u00a0Klangerlebnisse\u00a0einschlie\u00dfen\u00a0k\u00f6nnen.\u00a0Einen\u00a0musikalischen\u00a0 Widerhall\u00a0finden\u00a0bei\u00a0den\u00a0Improvisationen\u00a0von\u00a0Sasha\u00a0Pushkin\u00a0auch\u00a0seine\u00a0vielf\u00e4ltigen\u00a0 Aktivit\u00e4ten,\u00a0 u.a.\u00a0 als\u00a0 Zeichner,\u00a0 Dichter\u00a0 und\u00a0 als\u00a0 Komponist\u00a0 bei\u00a0 Kooperationen\u00a0 f\u00fcr\u00a0 modernen\u00a0Tanz,\u00a0Multimedia\u00adProjekte\u00a0und\u00a0Filmmusik. International\u00a0experience:\u00a0Germany,\u00a0France,\u00a0United\u00a0Kingdom,\u00a0Italy,\u00a0Greece,\u00a0Russia,\u00a0 Ukraine,\u00a0 Belarus,\u00a0 Estonia,\u00a0 Latvia,\u00a0 Lithuania,\u00a0 Netherlands,\u00a0 Austria,\u00a0 Switzerland,\u00a0 Poland.. Press:\u00a0Die\u00a0Welt,\u00a0Berliner\u00a0Morgenpost,\u00a0Zitty,\u00a0Tip,\u00a0Folk\u00adMichel,\u00a0Berliner\u00a0Zeitung,\u00a0TAZ,\u00a0 BZ,\u00a0Volker,\u00a0Tagesspiegel,\u00a0Berliner\u00a0Abendblatt,\u00a0Intro,\u00a0Guide,\u00a0Freie\u00a0Presse,\u00a0Jazzthetik,\u00a0 Vogue,\u00a0Hi\u00a0Fi\u00a0Music,\u00a0Camden\u00a0New\u00a0Journal&#8230;\u00a0Radio:\u00a0WDR\u00a05,\u00a0WDR\u00a0Funkhaus\u00a0Europa,\u00a0 SFB\u00a04\u00a0Multi\u00a0Kulti,\u00a0Radio\u00a0Brandenburg,\u00a0Kiss\u00a0FM,\u00a0MDR\u00a0Sputnik,\u00a0Deutschland\u00a0Radio,\u00a0 Radio\u00a0 Kultur,\u00a0 RBB,\u00a0 NDR\u00a0 Radio\u00a0 Globo,\u00a0 Hessische\u00a0 Rundfunk,\u00a0 KSFR\u00a0 Santa\u00a0 Fe\u00a0 Community\u00a0 radio,\u00a0 ALL\u00a0 FM\u00a0 96.9,\u00a0 BBC&#8230;\u00a0 TV:\u00a0 \u00a0 NTV,\u00a0 ORB,\u00a0 OKB,\u00a0 SFB,\u00a0 RBB,\u00a0 DW,\u00a0 KULTURA,\u00a0A1<\/p>\n<p>Tickets bestellen auf www.afisha.de (Berliner Tor) 040 \/ 38 14 79 und an der Abendkasse<\/p>\n<p><strong>Karten 15 \/ Sch\u00fcller, Studenten\u00a010\u00a0Euro<\/strong><\/p>\n<p>http:\/\/www.sashapushkin.comhttp:\/\/www.youtube.com\/sashapushkin<\/p>\n<p>http:\/\/www.sashapushkin.comhttp:\/\/www.youtube.com\/sashapushkin<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Sasha Pushkin, exklusive piano Solokonzert \u201cHamburg in February\u201d<span class=\"entry-read-more\"><a href=\"https:\/\/tschaikowsky-saal.de\/de\/russkiy-pyatnitsa-26-fevralya-2016-19-00\/\" class=\"cs-btn cs-btn-flat cs-btn-rounded cs-btn-xxs cs-btn-flat-accent\">Weiterlesen<\/a><\/span><\/p>\n","protected":false},"author":3,"featured_media":7322,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38],"tags":[],"class_list":["post-7321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2016\/01\/289102_10151001246542687_51645807_o-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5HoJ6-1U5","_links":{"self":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/7321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/comments?post=7321"}],"version-history":[{"count":6,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/7321\/revisions"}],"predecessor-version":[{"id":7331,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/7321\/revisions\/7331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media\/7322"}],"wp:attachment":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media?parent=7321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/categories?post=7321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/tags?post=7321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}