{"id":12280,"date":"2025-04-26T12:10:07","date_gmt":"2025-04-26T08:10:07","guid":{"rendered":"https:\/\/tschaikowsky-saal.de\/?p=12280"},"modified":"2025-08-31T14:04:38","modified_gmt":"2025-08-31T10:04:38","slug":"dienstag-24-juni-2025-19-uhr","status":"publish","type":"post","link":"https:\/\/tschaikowsky-saal.de\/de\/dienstag-24-juni-2025-19-uhr\/","title":{"rendered":"Dienstag, 24. Juni 2025, 19 Uhr"},"content":{"rendered":"

\"\"<\/a><\/p>\n

 <\/p>\n

Eine Pianistin, ein Pianist<\/p>\n

Zwei junge Talente aus der legend\u00e4ren Z. Paliashvili Musikschule f\u00fcr hochbegabte Kinder in Tbilisi stellen ein aufregendes Programm mit Werken f\u00fcr Klavier solo und Klavier vierh\u00e4ndig vor.<\/p>\n

Ein Konzert der Martha Pulvermacher Stiftung.<\/strong><\/p>\n

Programm<\/strong><\/p>\n

A. Mozart \/ 1756 \u2013 1791<\/strong> Neun Variationen \u00fcber ein Menuett von Duport f\u00fcr Klavier solo KV 573 \u201eDuport-Variationen\u201c
\nMiriam Narimanidze, Klavier<\/p>\n

F. Liszt \/ 1811 \u2013 1886<\/strong>\u00a0 \u00a0 Konzertparaphrase \u00fcber Verdis \u00bbRigoletto\u00ab f\u00fcr Klavier solo S. 434
\nMiriam Narimanidze, Klavier<\/p>\n

F. Chopin \/ 1810 \u2013 1849<\/strong>\u00a0 \u00a0 Scherzo Nr. 2 b-Moll f\u00fcr Klavier solo op. 31
\nAvtandil Vartagava, Klavier<\/p>\n

F. Poulenc \/ 1899 \u2013 1963\u00a0<\/strong> \u00a0 Sonate f\u00fcr Klavier zu vier H\u00e4nden, FP 8
\nMiriam Narimanidze, Klavier; Avtandil Vartagava, Klavier<\/p>\n

S. Rachmaninow \/ 1873 \u2013 1943\u00a0<\/strong> \u00a0 Valse aus 6 Morceaux f\u00fcr Klavier zu vier H\u00e4nden op. 11
\nAvtandil Vartagava, Klavier; Miriam Narimanidze, Klavier<\/p>\n

Pause<\/p>\n

L. van Beethoven \/ 1770 – 1827<\/strong> \u00a0\u00a0\u00a032 Variationen \u00fcber ein eigenes Thema c-Moll f\u00fcr Klavier solo, WoO 80
\nAvtandil Vartagava, Klavier<\/p>\n

F. Liszt<\/strong>\u00a0 \u00a0\u00c9tude Nr. 8 Wilde Jagd. Presto furioso aus \u00c9tudes d\u2019ex\u00e9cution transcendante f\u00fcr Klavier solo S. 139
\nAvtandil Vartagava, Klavier<\/p>\n

F. Chopin<\/strong>\u00a0 \u00a0 Nocturne Fis-Dur f\u00fcr Klavier solo op. 15 Nr. 2
\nMiriam Narimanidze, Klavier<\/p>\n

S. Rachmaninow<\/strong>\u00a0 \u00a0Allegro agitato aus \u00c9tudes-tableaux f\u00fcr Klavier solo op. 39
\nMiriam Narimanidze, Klavier<\/p>\n

J. Brahms \/ 1833 \u2013 1897\u00a0<\/strong> \u00a0 Ausz\u00fcge aus \u201eUngarische T\u00e4nze\u201c f\u00fcr Klavier zu vier H\u00e4nden WoO1<\/p>\n

Nr. 1 g-Moll. Allegro molto | Nr. 5 fis-Moll. Allegro
\nAvtandil Vartagava, Klavier; Miriam Narimanidze, Klavier<\/p>\n

M. Ravel \/ 1875 \u2013 1937<\/strong>\u00a0 \u00a0 Ma M\u00e8re l\u2019Oye f\u00fcr Klavier zu vier H\u00e4nden
\nAvtandil Vartagava, Klavier; Miriam Narimanidze, Klavier<\/p>\n

 <\/p>\n

Tickets<\/strong><\/p>\n

Abendkasse: 12 Euro \/ erm. 6 Euro
\nFreier Eintritt f\u00fcr Kinder und Jugendliche unter 14 Jahre
\nReservierung: info@tsaal.de<\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Gastspiel. Junge Elite aus Georgien:
\nAvtandil Vartagava (Klavier) und Miriam Narimanidze (Klavier)Weiterlesen<\/a><\/span><\/p>\n","protected":false},"author":6,"featured_media":12281,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38],"tags":[],"class_list":["post-12280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2025\/04\/Klavierduo-Georgien-scaled.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5HoJ6-3c4","_links":{"self":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/12280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/comments?post=12280"}],"version-history":[{"count":4,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/12280\/revisions"}],"predecessor-version":[{"id":12285,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/12280\/revisions\/12285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media\/12281"}],"wp:attachment":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media?parent=12280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/categories?post=12280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/tags?post=12280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}