{"id":10624,"date":"2020-01-17T17:55:09","date_gmt":"2020-01-17T13:55:09","guid":{"rendered":"https:\/\/tschaikowsky-saal.de\/?p=10624"},"modified":"2020-01-31T17:12:25","modified_gmt":"2020-01-31T13:12:25","slug":"mittwoch-29-januar-2020-1900","status":"publish","type":"post","link":"https:\/\/tschaikowsky-saal.de\/de\/mittwoch-29-januar-2020-1900\/","title":{"rendered":"Mittwoch, 29. Januar 2020, 19:00"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10625 alignleft\" src=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2020\/01\/Piano-Furioso-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2020\/01\/Piano-Furioso-300x199.jpg 300w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2020\/01\/Piano-Furioso-768x510.jpg 768w, https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2020\/01\/Piano-Furioso.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><strong>Die Deutsche Stiftung Musikleben<\/strong> beginnt das neue Stiftungsjahr mit jungen Tastenk\u00fcnstlern:<\/p>\n<p>Gemeinsam mit Maria Illies, Kuratorin und Stifterin des Carl-Heinz Illies-F\u00f6rderstipendiums in der Deutschen Stiftung Musikleben, m\u00f6chten wir Ihnen bereits zum 15. Mal herausragende Pianisten im Rahmen eines Klavierrecitals vorstellen.<\/p>\n<p>Die vier hochbegabten jungen Pianisten <strong>Wei-Ting Chou<\/strong>, <strong>Maximilian Haberstock<\/strong>, <strong>Max Mostovetski<\/strong> und <strong>Kerstin Tang<\/strong> kommen nach Hamburg, um f\u00fcr uns ein musikalisches Feuerwerk mit Kompositionen von Ludwig van Beethoven, Fr\u00e9d\u00e9ric Chopin, Robert Schumann, Felix Mendelssohn Bartholdy und Claude Debussy zu entfachen.<\/p>\n<p>Beim anschlie\u00dfenden kleinen Empfang gibt es sicher wieder reichlich Gelegenheit f\u00fcr Sie, sich mit unseren Stipendiaten \u00fcber ihre Wettbewerbs- und Meisterkurserfahrungen zu unterhalten und alte und neue Freunde der Stiftung zu treffen.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programm:<\/strong><\/p>\n<p><strong>Maximilian Haberstock (Klavier)<\/strong><\/p>\n<p><em>Ludwig van Beethoven (1770-1827)<\/em><\/p>\n<p>Sonate no. 23 \u201cAppassionata\u201d:<br \/>\nAllegro ma non troppo<\/p>\n<p>&nbsp;<\/p>\n<p><em>Fr\u00e9deric Chopin (1810-1849)<\/em><\/p>\n<p>Nocturne b-moll op. 9 Nr. 1<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kerstin Tang (Klavier)<\/strong><\/p>\n<p><em>Robert Schumann (1810-1856)<\/em><\/p>\n<p>Arabeske C-Dur, op. 18:<br \/>\nLeicht und zart<br \/>\nMinore I<br \/>\nMinore II<br \/>\nZum Schluss<\/p>\n<p><em>Claude Debussy (1862-1918)<\/em><\/p>\n<p>Deux arabesques:<br \/>\nAndantino con moto<br \/>\nAllegretto scherzando<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Aaron Copeland (1900-1990)<\/em><\/p>\n<p>The cat and the mouse<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Wei-Ting Chou (Klavier)<\/strong><\/p>\n<p><em>Fr\u00e9deric Chopin (1810-1849)<\/em><\/p>\n<p>Fantasie op. 49<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Max Mostovetski (Klavier)<\/strong><\/p>\n<p><em>Felix Mendelssohn Bartholdy (1809-1847)<\/em><\/p>\n<p>Fantasie fis-moll, op. 28<\/p>\n<p>&nbsp;<\/p>\n<p>Reservierung:<\/p>\n<p><strong>Der Eintritt ist frei. Um Spenden f\u00fcr die Arbeit der Deutschen Stiftung Musikleben wird gebeten.<\/strong><\/p>\n<p>Anmeldung erforderlich an dsm@dsm-hamburg.de oder Tel.: 040\/360 91 55 0.<\/p>","protected":false},"excerpt":{"rendered":"<p>Piano Furioso<span class=\"entry-read-more\"><a href=\"https:\/\/tschaikowsky-saal.de\/de\/mittwoch-29-januar-2020-1900\/\" class=\"cs-btn cs-btn-flat cs-btn-rounded cs-btn-xxs cs-btn-flat-accent\">Weiterlesen<\/a><\/span><\/p>\n","protected":false},"author":3,"featured_media":10625,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[38],"tags":[],"class_list":["post-10624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tschaikowsky-saal.de\/wp-content\/uploads\/2020\/01\/Piano-Furioso.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5HoJ6-2Lm","_links":{"self":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/10624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/comments?post=10624"}],"version-history":[{"count":1,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/10624\/revisions"}],"predecessor-version":[{"id":10626,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/posts\/10624\/revisions\/10626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media\/10625"}],"wp:attachment":[{"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/media?parent=10624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/categories?post=10624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tschaikowsky-saal.de\/de\/wp-json\/wp\/v2\/tags?post=10624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}